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这种定位通过纪录片创作得以深化。剪辑陷入瓶颈时，他的导师提供了颠覆性的建议：关掉所有画面，只聆听采访录音，两个月内不看影像。这对习惯于视觉思维的创作者而言，无异于一次“信仰的飞跃”。他照做了，两个月里，他只面对亲人们的声音。那些用粤语、英语讲述的，充满情感风暴、时常跳跃、夹杂着痛苦与怨愤的叙述，动荡时期的恐惧、逃亡路上的艰辛、家庭内部的委屈，所有这些情绪，剥离了画面的修饰，以最直接的声音形式冲击着他。，这一点在91视频中也有详细论述
Just before dawn, in a scene that has repeated itself over thousands of years on the north coast of Peru, fishers drag boats made of bound reeds to the water’s edge and, kneeling on them, use paddles shaped from split bamboo to row out into the Pacific Ocean to catch their breakfast. A few hours later, these surfer fishers return with netfuls of their catch, riding waves on the final stretch back to the shore. From the main beach in Huanchaco – a seaside town near the city of Trujillo – the fish are taken to sell at the market or to beachfront restaurants preparing meals for tourists.。关于这个话题，WPS官方版本下载提供了深入分析
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